Category Archives: News

New class for Fall: Creative Coding

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With Professor Danne Woo, we will be looking at using computational algorithms as a tool to create beautifully designed visual graphics. Over the semester we will be exploring design topics like form, color, grids, typefaces and 3 dimensional objects and combining these with computational topics like randomization, repetition, transformation, generative and data manipulated design. We will be using Processing as our main platform to focus on the intersection between the visual art, design, and code.
ARTS  370 – VT: Special Topics in Design
Topic: Creative Coding
04-LEC(39680)
We 1:40PM – 5:30PM

Design the Queens College Yearbook Cover

The Queens College Yearbook is requesting submissions for the 2014 yearbook cover. They are open to new ideas and creative solutions.
SPECS
Required Text: Queens College 2014
Full Bleed
Front, Back and Spine: 20.5″ x 13″ (spine including crimp area =1.5″),
Resolution: 300 dpi
Email [email protected] to find out whether work should be RGB or CMYK
Submit your work to [email protected]
 
 

Paid Graphic Design Internships–Fall 2014 & Spring 2015

Information Session about Graphic Design Placements through CUNY service corps

Information Session about Graphic Design Placements through CUNY service corps


There will be a number of graphic design related internships available through CUNY Service Corps. Selected students will need to commit 12 hours a week for the Fall and Spring semesters. Academic credit is available and students will be paid $12 an hour.
Come to an information session
Monday, March 23, 12:10-1pm Klapper Hall 107
Wednesday, March 25 12:10-1pm Klapper Hall 107
or apply directly to CUNY Service Corps by March 31.
To be eligible for the CUNY Service Corps, you must:

  • Be working toward a degree at one of the participating CUNY colleges
  • Be enrolled full-time (at least 12 credits) in spring 2014 and plan to enroll full-time during the 2014-2015 academic year
  • Have a cumulative Grade Point Average of at least 2.5 or a fall 2013 Grade Point Average of at least 2.75
  • Have earned at least 24 college credits by the end of summer 2014
  • Have addressed any remedial education needs prior to beginning fall 2014 classes
  • Have the proper work authorization required by the U.S. Citizenship and Immigration Services (USCIS)

FREE–LECTURE BY KEVIN C. PYLE

Cover of Katman by Kevin C. Pyle

Cover of Katman by Kevin C. Pyle

A LECTURE BY GRAPHIC NOVELIST Kevin C. Pyle

Queens College CUNY Art Department

Presented by Gregory Sholette and Zoe Beloff
Monday, March 31st from 3:00 to 5:00, Klapper Hall room 404
Artist Kevin C. Pyle will show images and discuss his docu-comics. He is the author/illustrator of Lab U.S.A.:illuminated documents, Prison Town, and Wage Theft and a long-time editor of World War 3 illustrated, America’s longest running radical comics anthology. He also recently collaborated with scholar McKenzie Wark on a series of graphic essays on the Situationist International entitled “Totality for Beginners.” His work has been exhibited at the Brooklyn Museum, MassMoca, The Cooper-Hewitt Design Museum and the New Museum.

 

New American Sweatshop–Installation by Amelia Marzac

New American Sweatshop installation photo Amelia Marzac

New American Sweatshop installation photo Amelia Marzac

New American Sweatshop
Amelia Marzec
April 3 – 27, 2014
Opening Reception: Thursday, April 3rd from 6-9pm
Artist Talk: Thursday, April 3rd at 6:30pm
A.I.R Gallery is pleased to announce New American Sweatshop, an installation by 2013-2014 Fellowship artist Amelia Marzec. This exhibition will be on view in the Fellowship Gallery from April 3 – 27, 2014. The opening reception will be held on Thursday, April 3rd from 6-9pm.
Imagine a future where the American dollar is worthless. To re-build the economy, citizens must use the only resource available: decades of post-consumer waste. With no way to afford expensive international electronics, they sift through products that have been subject to planned obsolescence for the possibility of working parts. The goal is to build a new communications infrastructure that is community-controlled and far from the prying eyes of any government.
The New American Sweatshop manifests itself as an installation that models a functioning manufacturing plant. It relies on intern labor to hand-build semi-functioning prototypes of what our technology could look like in the future. All supplies, furniture and uniforms are created from local salvaged goods.
In addition to this exhibit, Marzec will lead an intergenerational discussion on women, art, and technology on April 23, 2014.
Amelia Marzec (b. October 1980) is a Brooklyn-based artist focused on enabling activist communities through innovative uses of technology. She holds an MFA in Design and Technology from Parsons School of Design, and a BFA from Mason Gross School of the Arts. She was a resident at Eyebeam Art and Technology Center, and has shown work at Flux Factory, New York Hall of Science, MIT, and SIGGRAPH.
Image: Amelia Marzec, New American Sweatshop Products, Re-purposed materials including paper, plastic and electronics, 2” x 3.5” x .5” each, 2013-14.
A.I.R. Gallery is located at 111 Front Street, #228 in the DUMBO neighborhood of Brooklyn. Gallery hours: Wed. – Sun., 11am to 6pm. For directions please visit www.airgallery.org. For more information please contact the Interim Director, JoAnne McFarland at 212-255-6651 or[email protected]

free lecture at cooper union

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Guest event: Comenius, Marconi & Zapf Book: three typefaces from 1976

Ferdinand Ulrich
Tue, Mar 18, 2014 6:30pm — Tue, Mar 18, 2014 8:30pm
Free and open to the public
n 1976 the International Typeface Corporation celebrated their announcement of a new typeface designed by Hermann Zapf in a folding specimen, claiming it was his first type since he “put the finishing touch“ to Optima Medium Italic “some ten years ago”. A headline revealed: “Now he’s back with an almighty Zapf!” Besides the much marketed ITC Zapf Book two other lesser-known typefaces by Zapf were also released that year: Berthold Comenius and Marconi for Hell Digiset. This lecture focuses on all three textfaces by taking a close look at their origin, by comparing them with their contemporaries and by paying attention to their letter shapes and characteristics based on the different technological circumstances in an era on the verge from photo to digital.
The event is free, but you must register